2016 AIPP NSW PROFESSIONAL PORTRAIT PHOTOGRAPHER OF THE YEAR 2017 AIPP NEW SOUTH WALES PET/ANIMAL PHOTOGRAPHER OF THE YEAR
AIPP NSW Epson Professional Portrait Photographer Of The Year
Honor Year 2016
AIPP NSW Epson Professional Pet/Animal Photographer Of The Year 2017
Australian Institute Of Professional Photography (AIPP)
Silver Award with distinction
Honor Year 2017
Australian Institute Of Professional Photography (AIPP)
Silver Award
Honor Year 2017
Australian Institute Of Professional Photography (AIPP)
Silver Award
Honor Year 2017
Australian Institute Of Professional Photography (AIPP)
Silver Award
Honor Year 2017
Australian Institute Of Professional Photography (AIPP)
Silver Award
Honor Year 2017
Australian Institute Of Professional Photography (AIPP)
Silver Award
Honor Year 2017
Australian Institute Of Professional Photography (AIPP)
Silver Award
Honor Year 2017
Australian Institute Of Professional Photography (AIPP)
Silver Award
Honor Year 2016
Australian Institute Of Professional Photography (AIPP)
Silver Award
Honor Year 2016
Australian Institute Of Professional Photography (AIPP)
Silver Award with distinction
Honor Year 2016
Australian Institute Of Professional Photography (AIPP)
Nomination for the Australian Of The Year Awards
Honor Year 2014
Adam Gilchrist AM Chair, National Australia Day Council
Accolade of Excellence
Honor Year 2006
Wedding & Portrait Photographers International (WPPI)
Australian Institute Of Professional Photography (AIPP)
Silver Award
Honor Year 2018
Anodised aluminium / delrin, Robert Foster, Australia 1991
Bowl, hewn-marked, silky oak / tung oil / beeswax / canuba oil, Sonia Farley, Sydney, NSW, Australia, 1988
Anodised aluminium, Helge Larsen and Darani Lewers, Sydney, New South Wales, Australia 1988
Sherd of bottle, part of archaeological finds, white ceramic, maker unknown, 1860-1898, excavated Powerhouse Museum, Ultimo, New South Wales, Australia 1993
‘Juicy Salif’ stanless steel, designed by Philippe Starck, made by Alessi, France / Italy, 1990-1999
‘Argenta’ series, stoneware / silver, Wilhelm Kage, Gusavsberg, Sweden c. 1953
Figurine, ‘Sir George Reid’, cast iron, maker unknown, New South Wales, Australia, c. 1900
Angle brackets, for Meccano Set No. 6, Meccano, Liverpool, England c. 1915-1985
Bottle for ‘Agathurin’ medication, glass / metal /contents, Neurogen Pty Ltd Balaclava Victoria, Australia, 1910-1940
Hardstone cameo brooch by Tony White
Fashion collection ‘Samco’ square shaped sunglasses, plastic / metal, Mazzuucchelli, Italy, c. 1950-1969
Sterile catgut, DeWitt Lukens Co, St Louis Missouri, United States of America, 1880-1950
‘Ol. Pigment’
Triangular aluminium saucepan, Caloric Co, Wisconsin, United States of America, c. 1912
Vase No. 32, porcelain, designed by Alessandro Mendini, for Alessi. Germany, 1989-1992
Bust, Shakespeare, ceramic, possibly made by Bolt & Co, Staffordshire, England, date unknown.
‘Farsta Ware’, stoneware, Wilhelm Kage, Gustravsberg Porcelain, Gustavsberg, Stockholm, Sweden, 1930s - 1950s
Lace making pillow with attached bobbins, wood / fabric / metal, maker unknown, place of production unknown, owned and used by Elizabeth Ford, Australia 1870-1920
Bullwhip, with four plaited techniques, kangaroo hide leather, John Cadell, Australia, 1978.
Spoon, metal, maker unknown. London, England. c. 17th century.
Electronic valve, ‘Wunderlich’, pentode, glass / metal / plastic, made by Arcturus Radio Tube Co, United States of America, 1932
Reclining chair, wood, designed by Marcel Breuer, England, 1935, made by Isokon Furniture Company, England, 1935-1936
EXHIBITION DESCRIPTION
A series of portraits that reveal the love and enrichment pets give their owners who are homeless.
The aim of this personal project was to produce strong and sympathetic images that would help raise awareness of those experiencing homelessness in Sydney, Australia.
Working on this series of black and white portraits and meeting the people behind the exterior has been a pleasure and a privilege and is often very moving. Everyone has a story to tell, but many of these lives are much more extreme in both their simplicity and their complexity. Interacting with these fascinating faces of our city and their animal companions is a project very close to my heart.
Depot Gallery, Waterloo Sydney Australia.
Mecure Gallery, Potts Point Sydney Australia.
UNSEEN Project, Martin Place, Sydney
This is work from 2018
In my Feathers, fur and flames photography series I confront and illustrate the terror of bush fire and the plight and re-emergence of our wildlife.
Feathers, fur and flames aimed to raise awareness of the plight and borderline survival of our native wildlife as well as showcasing their beauty, character, vulnerability and resilience. This project evolved in 2018 after I made a move back to the area where I grew up as a child. My new home is surrounded by beautiful bushland and nearby national parks. It soon became my ritual to take long walks throughout these areas. As the seasons began to pass I noticed how landscapes changed. The increase of green foliage after heavy rain would have the birds singing loud and clear and the new greenery would mask the hidden landscape of ridges, caves and boulders that would be revealed in the Summer months. It got me thinking of our native wildlife and how their habitats would also vary throughout the year. Most of all I wanted to know more about the effect bush fire would have on our wildlife population and for those that would survive where will their new habitat be?
I never imagined the degree of devastation Australia and our beautiful wildlife were yet to experience.
9/11/2015 Westfield New York
Bangkok barber
Bangkok barber
Co-Founder and proud volunteer.
Pets in the Park is a National Charity focused on the veterinary health and welfare of companion animals and wellbeing of their owners together while experiencing homelessness.
Pets in the Park is a growing national community that has been built on volunteerism and public donations.
EXHIBITION DESCRIPTION
In her "I See Red" images series Linda Warlond has focused her insight upon the many aspects of the colour Red. Red can both focus and intensify the viewer’s attention, or can mask the everyday in a differently hued cloak, reimbued with the many visual emotions and associated meanings of the colour Red.
"Making the move from my usual photographic palette of full colour or black and white into the Red spectrum was a cleansing experience. I was immediately introduced to a new visual world using my on camera red filter. I found I could strip back my images, refine and re-present them in an entirely new context.”
ARTIST BIO
Linda Warlond is best known for her recent award-winning images for both Portrait and Animal photography. She has been professionally photographing for 18 years.
Linda is now exploring and adding a more personal and creative photographic style into her repertoire. This new body of work sees her sidelining the more defined and static aspects of realistic portraiture and moving more into the realms of light, shadow and near abstraction. She sees her wide-ranging subjects now presenting themselves as opportunities for reinterpretation and change.
Contact Sheet Gallery St Leonards Sydney Australia
“Shepherds Delight” Flock of sheep heading homewards as twilight fades.
“Wave Landscape” Small waves against sky shot at water surface level. How different items in nature repeat patterns and can be nearly visually identical. Waves can become landscapes and crystals can become skyscrapers. 80 x 45cm
“Red cave” What lies in the darkness beyond the light. 80 x 35cm
“Red Fire” Surging, changing, heat and light. 100 x 39cm
“Red mist” A moment of peering through to the yet unseen. 80 x 60cm
“Red ripples” Clouds and sky reflect and become lost in rippling water. 80 x 33cm
“Red zen landscape” 50 x 40cm
“Red zen ripple” 50 x 40cm
“Red zen sun” 50 x 40cm
"I absolutely loved working with Linda and have done so twice, a year apart. She brought a really interesting aesthetic to both shoots and listened to all the ideas I had. As a result we ended up going on a little adventure starting at my piano and going into national parks, beaches and beautiful scenery. The shoots were natural and really fun with a great turn out of beautiful photos."
Kirsten, Northern Beaches NSW
In this series, I had the pleasure of working with Composer and Pianist Kirsten Milenko. The day began with Kirsten in her usual surrounding, her Piano, before heading out to the local National Park.
Once we headed to the National Park, we were surrounded by the natural beauty that nature has to offer. From tree-side to sea-side, I was able to capture such captivating images that Kirsten wanted for her Website and portfolio.
